"Sounding Otherwise: Reimagining Rhythmanalysis and the Chronopolitics of Resistance” PhD Dissertation (forthcoming)

“Word of Mouth: Unearthing the Sounds of Underwhich Editions” AMODERN, Issue 13, 2026, Affective Signals: Sounding the Curatorial.

“Adaptogneic Rhythmanalysis: Milford Graves and the Sound Body” Critical Studies in Improvisation, Vol 16, No 2. (submitted)

“Discrepant Echoes: A Dialogue in Song with Edward George” BlackMass Publishing, March 2025.

“Incantations” The Witch. PUBLIC, vol. 35, no. 69, 2024, pp. 65-71. Co-authored with Naomi Okabe. Eds Tamara de Szeghao Lang, Emily Pelstring, Dan Vena.

“Call of the Ka: Social Spaces of the Drum in Guadeloupe.” Time Capsule/Séance Centre, 2022.

“Word of Mouth: Strange Corridors, Dizzying Syntax, and the Unexpected Echoes of Underwhich Editions” Dissertation, Creative Commons, 2021.

“Yu Su: Recipes for Sound”Record Magazine, issue 9, 2021, pp. 50-67.

“Songs for the Veil” Enthusiams, vol. 1, 2020, pp. 13. 

“Voice of the Forest: Interview with Beverly Glenn-Copeland” Minka, vol. 1, 2019, pp. 78-87.

“Alex Johnson: Cassettes for Peace” Periodical Numerical, vol. 2, The New Age Issue, 2019, pp. 12-17.

Weird Canada, various reviews of archival Canadian electronic music albums, 2012 to 2015.

“Interview with Ohama” The Potato Farm Tapes. Minimal Wave, 2012.

“Adrift in Tokyo: Miki Satoshi”World Film Locations: Tokyo. Intellect Books, pp. 96-97, 2011. Ed Chris MaGee.

“Nineteen Year Old’s Map: Yanagimachi Mitsuo” World Film Locations: Tokyo. Intellect Books, pp. 46-47, 2011. Ed Chris MaGee.